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“They are said there to learn by heart a great number of verses accordingly some remain in the course of training twenty years. Initiates among the Druids could spend decades learning their rituals and ways, which makes first-hand accounts from those who observed them so valuable.įor his part, Caesar evaluated the Druids’ need for secrecy as thus ( via W.A. We also know little of their practices because, by and large, the Druids’ entirely secretive customs were committed to memory and never written down. Druids were typically older men (although “Druidesses” existed) who studied astrology and the natural world, and acted as both religious leaders in Celtic communities as well as proverbial doctors and political advisors. Stretching from as far east as the Balkans and as far west as modern day Ireland, the Celts were a dominant religion in these lands and a source of curiosity for ancient Roman and Greek observers, particularly due to their religious leaders, the Druids.ĭespite often being mischaracterized in modern pop culture as an entire civilization of folks who practiced “the dark arts,” the Druids were actually a learned and revered class of elders in Celtic society. The texts acted as an exotic travelogue of distant lands and even more distant people in need of conquest, which in the case of 1st Century B.C.E.
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For fans of the television series Rome, the Commentaries are also where the names of his favorite centurions, Vorenus and Pullo, hail from. This glorified war journal, which Caesar wrote in the third person, was a selective account of the Roman Consul and his legions’ adventures in the enemy lands of Gaul-roughly most of modern France, as well as parts of western Germany, Belgium, and a sliver of Switzerland. Perhaps he was a little too transcendent for others’ taste (more on that later), which is one of the reasons he published Commentarii de Bello Gallico ( Commentaries of the Gallic War) sometime around 50-51 B.C.E. Prior to that fateful day in 49 B.C.E., Caesar was a transcendent general of legions and a Consul of Rome.
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Julius Caesar, the man who was pivotal in transitioning Rome from a republic to an empire, yet who did not live to see his name enshrined as a synonym with “emperor,” led a full life even before he crossed the Rubicon and triggered a world-shattering civil war. Suddenly, Howie’s moral superiority as a Christian is not taken as the default power dynamic on British territory he’s stepped into a nightmare where a follower of Christ can still be martyred. “Oh Jesus Christ!” Yet his fiery fate is in the form of something older than even Christ-or the modern Christian world Howie represents it’s an apparition out of an ancient, half-forgotten past. “Oh God!” Howie screams in utter, witless fear. The moment Howie glimpses his wicker tomb, adorned with all sorts of other livestock and animals to be likewise consigned to the flames, a forgotten primal terror comes rushing back from our collective subconscious.
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Woodward reportedly requested to not see the Wicker Man structure until it was time to shoot that reaction, so as to catch genuine dread on his face. On this pyre, our well-meaning copper will be burned alive.īefore the shot finally revealing the Wicker Man, Summerisle has explained in the abstract that these smiling villagers intend to sacrifice Howie to their Celtic gods, but not until the Wicker Man is onscreen does the full impact of the concept strike us like a lightning bolt.
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In one of the most genuinely terrifying shots in film history, our dear detective finally meets the Wicker Man: an enormous colossus of weaving and ancient pagan superstitions that’s been erected for one purpose.
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It’s shocking, then, how quickly the film’s dreamy nature changes once Howie and the audience discover what this is all about. Neil Howie (Edward Woodward), a stick in the mud who clearly slept through the 1960s and will now pay for it on an island led by a man who missed the modern world altogether-Christopher Lee’s delightfully learned pagan, Lord Summerisle. It also infuriates, because the vanished lass’ only hope is our sour protagonist Sgt.
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Granted, this cornerstone of folk horror is bizarre from the word go, and more than a few scenes border on the perverse, yet it functionally is not trying to scare you the movie prefers to madden and intrigue via the mystery of a missing child on a remote Scottish isle. For much of Robin Hardy’s cult classic of British cinema, The Wicker Man, you would be excused for not realizing you were watching a horror movie.